The optimal response range of the near-field R92 is between 1 and 18 inches from the source, and its proximity effect impacts sources within 6 inches. With its near-field design, balanced low-end, and pronounced mid-range, the R92 effectively captures the essence of a vocal performance while limiting room reflections. Since the R92 is a dual passive ribbon microphone, the preamp is critical for optimum performance. ”, “It rounds off transients in true ribbon fashion, adding a naturally compressed sound that flatters even the most strident source. With its near-field design, balanced low-end, and pronounced mid-range, the R92 effectively captures the essence of a vocal performance while limiting room reflections. It retains a balanced frequency response across the spectrum with limited proximity effect. The zip file has all 12 (6 for each mic) sound files and then a text file that tells you which mic is which. This tendency and its tailored frequency response make the R92 a hands-down winner at close quarters. Most vintage ribbon microphones are spectrally balanced for medium and distant placements, principally because their inherently large proximity effect precludes close miking. of your R92. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. Offering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. So I came across Front End Audio ... Front end had 6 sound clips for each mic of acoustic guitar, clean electric, distorted electric, female vocals, male vocals, and hip hop male vocals. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved. The near-field R92 can be positioned near the vocalist, much like a standard condenser, and still deliver incredibly balanced sound. The new R92 employs AEA's Large Ribbon Geometry design, like the R84, but this new model has been optimised specifically for close-miking applications. I really like that a lot, it sounds really cool…”, “There are very few pieces of equipment that can handle the amount of tasks I put the KU5A up against. The near-field functionality of the R92 imparts AEA’s classic Big Ribbon sound in close-range recording applications. With a thick low-end and hefty midrange, the dual-toned and near-field R92 ribbon mic is an exceptional tool when building a classic sound. Knowing the difference will change the way you record. “I’ve been using the R88 lately as a room mic out in front of the drums. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved. AEA’s own recording series featuring our favorite artists. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. The ribbon of the R92 is well-protected from high volumes, though we recommend using a pop screen to diffuse vocal plosives. I've fallen in love with it! The two sides of the R92 produce tonalities distinct from one another and provide your project with various tonal options; a bright front-side for high-end detail and a darker rear-side that rolls off high frequencies. The R92’s U-shaped yoke acts as a shock mount and also enables the user to position the mic at various angles even with a straight stand. Audio Samples and Techniques Using the AEA R92 The R92 is ideally equipped to capture the detail and tonality in any range of vocals. One side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. The R92 – like its forefathers carrying the same engine, the R84 and R88 – is unequaled in its price range. It handled all of them effortlessly with the perfect amount of clarity and enjoyable qualities. The front side offers a crisp sonic signature — tailored to have a bright sound. Watch the R92 in action as Mike Cottone serenades with his smooth trumpeting. This mic gets frequent use at the Disney Character Voices studio. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The AEA R84 is sort of a lightweight R44, with the same long-geometry ribbon but a different magnet structure. SE Electronics RNR1: Similar to the AEA R92, this was a capable sound but probably not the right one here, as it seemed to smooth over some of the character in Adam's vocals. The R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek.
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