It is extremely common in songs from the 1960s to 1970s and traces its roots all the way back to the blues. Besides, the dissonant tones which weren't considered harmonic tones at the time would apply past the Baroque era, into CP classical. Is there a music-theorical explanation? It's just that certain dissonant tones, as in MRs example of a major 7th, weren't considered harmonic tones at the time. Seriously? New comments cannot be posted and votes cannot be cast. I am currently just writing a Baroque piece for the fun of it and have written one before. No, it's not correct. You may wish to start your analysis here. EdwardBast is correct in every point he makes. That's correct. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. Baroque composers really like to work their way gradually (often down) the octave by step, and the rule of the octave is a way to take a stepwise bass and let it generate harmonies for you. Why has this been downvoted? They were understood as linear phenomena. Yes, academically, but I question this CP concept: All times are GMT +1. However, I cannot help but hear certain progressions as I listen to Bach orchestral suites or concertos, or Vivaldi for that matter. If you have the rule of the octave, sequential patterns, and basic generic cadential "stamps," you have most of what you need to make idiomatic Baroque music. You said "chord progression," not "CP chord progression.". what are the main chord progressions for the Baroque period? It makes perfect sense to analyze chord progressions in Baroque music! The term chord progression simply refers to the order in which chords are played in a song/piece of music. The current date and time is, F. Magle - Contemporary Classical Composer, Organist and Pianist. Later on such dissonant tones came to be interpreted as chord tones. Press question mark to learn the rest of the keyboard shortcuts, composer, arranging, Jewish ethnomusicologist, http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/aboutParti/ruleOfTheOctave.htm. They seems to rise or fall on the diatonic scale by a step, repeating the same motif. what are the main chord progressions for the Baroque period? For example, Bach seems to like repeating downward scales on successively incrementing steps; building tension upward with the key, while descending melodically. 80% Upvoted. I know the concept of chord progression is not applicable in the period of the Baroque. No, except in certain cases of non-harmonic tones such as a major seventh chord, which was not considered to be a chord. Our second chord progression may be considered the foundation of classic rock ‘n’ roll, modern rock, and pop music. Of course the concept of chord progression applies to the Baroque Era. Does anyone actually think that composers before the Classical period did not hear and conceive music in terms of harmonic progression? Baroque Chord Progressions. It would have been much clearer to say "The concept of chord progression applies to the Baroque, except in certain cases.". Playing these three chords in different variations will also give you some other common progressions. Of course, there's more to it (writing idiomatic figuration, for instance, is an art unto itself, and the rhythmic ferocity is one of the main things that make the baroque the baroque, imo), but this will get you started! New comments cannot be posted and votes cannot be cast, More posts from the musictheory community. To say that the concept of chord progression applies to the Baroque is rather misleading. 3 comments. You can learn about the rule of the octave here: http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/aboutParti/ruleOfTheOctave.htm. I am currently just writing a Baroque piece for the fun of it and have written one before. In addition to that, how does Bach's music generate such an emotional response? Does that make sense? Any questions, just reply. If it was applicable, we'd have Bach using what could be called major seventh chords. I know the concept of chord progression is not applicable in the period of the Baroque. The baroque period uses a lot of sequential patterns and harmonizing tonal spaces based on the "rule of the octave." It's I V vi (minor) IV, but those are chord progressions that are very common to use in the context of making Western music -- (classical, pop, folk) etc.
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